Skip Content
 Nakita Tilson - Alumni
[pictured: Dr Stephen Ng, Hine Tōhenga, Nakita Tilson]

For contemporary Māori artist Nakita Tilson, painting isn’t just something she does, it’s who she is.

A full-time artist, Nakita mainly works with acrylic and oil on canvas, but her creativity doesn’t stop there. She also designs handmade soaps, sculpts clay ornaments, and looks after a thriving plant collection with over 600 indoor and outdoor varieties.

“I consider myself a fine painter aligning contemporary Māori art,” she says. “I work with all mediums - spray paint, pastels, pencil… I also design and make soaps utilising the essence of rongoā Māori.”

“I’ve always been passionate about art. My father, my foster family, and those around me have always encouraged my creativity.”

That support gave her the confidence to chase her dream.

“Being an artist was always a dream of mine from a very young age. I was adamant I was going to pursue a career as an artist.”

Her journey with Te Wānanga o Aotearoa began at 18, when she enrolled in the Kāwai Raupapa - Certificate in Māori and Indigenous Art programme in Te Awamutu. She went on to complete Maunga Kura Toi - Bachelor of Māori Art in Rāhui Pōkeka while raising 4 tamariki and becoming hapū with her fifth. Since then, she’s continued learning, He Pī Kā Pao Level 1 & 2 and He Waka Hiringa - Master of Applied Indigenous Knowledge.

After facing a serious illness at 17, Nakita had to adjust her life and her art. Her eyesight was affected, and painting became a different kind of challenge. But as art has always been her outlet, she kept going, adapting her process and using art to reconnect with herself and her world.

A recent turning point came through a commission from ophthalmologist Dr Ng, who has supported her throughout her health issues. His only request: paint a wahine toa. This request became her latest piece of work, Hine Tōhenga.

It was the process of painting Hine Tōhenga through trial, frustration, and starting over, that reminded her of her own strength.

There were moments she wanted to give up.

“By the fourth attempt, I almost painted over her so I couldn’t see it,” she says.

But she kept going, trusting that the struggle was part of the story.

“Without my persistence in the creating stages, Hine Tōhenga wouldn’t exist.”

Dr Ng’s support also gave Nakita the confidence to step into new spaces. She’s now creating an artist profile, designing a website, and building her public speaking skills through Toastmasters.

“Dr Ng’s commission encouraged my creativity in so many ways. I decided it’s time to paint from within and dedicate this year to painting my ideas.”

Find out more about our Toi Māori (Art) programmes.

 Back to news & events

Published On: 18 June 2025

Article By: Stacey Snowden



Other Articles

  • 24 November 2025

    Making connections between media and Māoritanga

    Lizzie Dunn created Te Arawhata to help people reconnect with te ao Māori through media, resources, and kōrero. Discover how her reo journey and passion for sharing knowledge are inspiring thousands to embrace Māoritanga and strengthen cultural connections.

  • 19 November 2025

    He Māma, He Rangahau, He Moemoeā

    Alex Maddox is turning her lived experience as a māmā into a powerful Rangahau kaupapa through He Waka Hiringa at Te Wānanga o Aotearoa. Discover how her vision aims to amplify whānau voices in research and policy for tamariki with vision impairments.

  • 11 November 2025

    Royal Society Fellowship for Kairangahau Matua

    Dr Tara McAllister of Te Wānanga o Aotearoa has been awarded the prestigious Mana Tūāpapa Future Leader Fellowship from Royal Society Te Apārangi. Discover how her research will transform Indigenous science, strengthen mātauranga Māori, and advance equity in Aotearoa’s research sector.

  • 29 October 2025

    Raranga weaves culture and people together

    Yumi’s muka kākahu beautifully blends Māori and Japanese culture through raranga. Discover her inspiring journey with Te Wānanga o Aotearoa, from Kāwai Raupapa to Maunga Kura Toi, and how weaving has connected her to people, tikanga, and identity.